The platform

Everything the building does, in one record.

Six parts, one calendar underneath all of them, and an open API for whatever else you run.

The nights you program

House events

Announce a date, put tickets on sale, hold the room against the calendar, work the door, and settle the night — gross, fees, and net, per event.

The nights someone rents

Private bookings

Inquiry to hold to contract to load-out. Availability checked per room, deposits taken through Stripe, balances tracked to the date.

The people behind both

CRM

Couples, planners, promoters, corporate bookers, and ticket buyers, with the tours, calls, and promises attached — kept by the venue, not by a coordinator.

Money in, from every direction

Payments

Ticket sales, deposits, and final balances through your own Stripe account. We take no cut and never touch your payouts.

Writing to people who came

Audience email

Segments built from real behavior — who bought tickets, who toured, who booked — so an announcement goes to the right list without an export.

The rest of your stack

Integrations

Calendars, ticketing platforms, seating charts, POS, accounting. Read and write through an open API, or wire up something we have never heard of.

Underneath all of it

One calendar, and it refuses to lie to you.

Scheduling is not a feature sitting beside the others — it is the thing the others hang off. A ticketed Friday and a wedding inquiry for the same Friday are the same question about the same room, and the system answers it once.

Every room bookable on its own, with conflicts checked per room and per time window
House events and private bookings on one calendar, visually distinct at a glance
Tentative holds that the whole team can see, with an audit trail when one is released
Whole-venue buyouts that block every room for the window
Rescheduling that re-checks the new slot before it moves anything

Why it matters

A double-booked Saturday costs more than a year of software.

Venues rarely lose money on the tool they chose. They lose it on the night two people sold the same room, or the deposit nobody chased, or the couple who went quiet between the tour and the contract because the person handling them left.

Two modes, side by side

The same building, sold two different ways.

House events

You program it. The public buys in.

Your own nights — concerts, tastings, gallery openings, trivia. Many buyers, one door, and a settlement at the end rather than an invoice.

AnnounceDate set, room held against the calendar
On saleTickets live, allocation tracked per room
DoorsAttendance and comps against capacity
SettleGross, fees, and net per event

Concerts
Tastings
Openings
Trivia nights
Screenings

Private bookings

Someone rents the room for their own night.

Weddings, offsites, birthdays, buyouts. One client, a long courtship, a contract, and money that arrives in two or three pieces.

InquiryDate, headcount, and budget captured
HoldRoom penciled, visible to the whole team
ContractProposal signed, deposit clears
EventFinal count, balance, load-out

Weddings
Offsites
Galas
Birthdays
Buyouts

See it against your own rooms.

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